ticketsMember | Make a donation
Search

Search The Collection

Filter By

Object Type / Material
Geographic Location
Date / Era
Department
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 68 results
Sort By:
Mythological characters, one at center holding a flowing vase with two birds overhead, with other decorative figures, vases, and scenes, after the Assembly of the Gods vault frescoes (1624-25) by Giovanni Lanfranco in the Villa Borghese, Rome
Pietro Aquila
ca. 1670–91
Plate 8: Detail of a wall from the Farnese gallery; at center, Venus reclining in bed with Cupid and Anchises; in a roundel at left, Salmacis and Hermaphroditus embracing; in roundel to the right, Pan wrestling with Cupid; from the Galeriae Farnesianae Icones
Pietro Aquila
ca. 1674
The Vestal Virgins and the sacred fire, a veiled woman seated at left and another maintaining the fire at center and covering her face, a young woman at far left retrieving more wood, various figures gathered at right
Pietro Aquila
ca. 1670–90
Plate 37: The crossing of the Jordan; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael
Pietro Aquila
1675
Title page to the Images from the New Testament after Raphael 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis'. Portrait of Queen Christina of Sweden framed by a wreath, an elaborate cartouche below flanked by two lions
Pietro Aquila
1675
Plate 4: Perseus holding the Gorgon's head before an army of his enemies, who turn to stone; from the Galeriae Farnesianae Icones
Pietro Aquila
ca. 1674
Decorative figures, vases, and scenes, after the Assembly of the Gods vault frescoes (1624-25) by Giovanni Lanfranco in the Villa Borghese, Rome
Pietro Aquila
ca. 1670–91
Plate 11: Paris receiving the Apple of Discord from Mercury; from the Galeriae Farnesianae Icones
Pietro Aquila
ca. 1674
Annibale Carracci Introduces Painting to Apollo and Minerva
Pietro Aquila
1674
The sacrifice to Diana; men gathering with their spoils from the hunt to offer to the goddess; after Pietro da Cortona
Pietro Aquila
1670–92
Plate 1: Detail of a wall from the Farnese gallery; in central frame, Polyphemus seated on a rock playing the pipes, Galatea approaching at right, in a carriage carried by dolphins; above, a scene with Hyacinthus and Apollo; each scene surrounded by mythological figures and architectural elements; from the Galeriae Farnesianae Icones
Pietro Aquila
ca. 1674
Plate 13: Pan offering a bundle of white wool to Diana; from the Galeriae Farnesianae Icones
Pietro Aquila
ca. 1674
Plate 50: The adoration of the Magi; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael
Pietro Aquila
1675
Plate 3: Hercules bearing the globe of Atlas, flanked by two reclining astronomers; from Imagines Farnesiani Cubiculi Cum ipsarum monocromatibus et ornamentis
Pietro Aquila
1670–92
'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis', after Raphael
Pietro Aquila
1675
Plate 18: A door frame with a painting of a girl and a unicorn; above, a classical bust of a man in a niche; from the Galeriae Farnesianae Icones
Pietro Aquila
ca. 1674
Plate 17: Detail of a wall from the Farnese gallery; two classical statues, a nude male at left and Apollo with his lyre at right; above, a bust of a man (Seneca?) at left, and a painting of Diana discovering the pregnancy of Callisto at right; from the Galeriae Farnesianae Icones
Pietro Aquila
ca. 1674
Plate 52: The last supper; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael
Pietro Aquila
1675
Plate 47: The Queen of Sheba visits Solomon; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael
Pietro Aquila
1675
Mythological characters, one at the right holding a flowing vase with a bird overhead, a reclining nude male at left, with other decorative figures, vases, and scenes, after the Assembly of the Gods vault frescoes (1624-25) by Giovanni Lanfranco in the Villa Borghese, Rome
Pietro Aquila
ca. 1670–91
Frontispiece with oval portrait of Raphael, with three allegorical figures of the Arts supporting the tablet at center
Pietro Aquila
1675
Frontispiece to the Images from the New Testament after Raphael 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis'. Oval portrait of Raphael, crowned with a laurel wreath by Fame, below three allegorical figures personifying the Arts support a tablet with the epigraph of Raphael
Pietro Aquila
1675
Plate 43: David returning in triumph after defeating the Syrians; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael
Pietro Aquila
1675
Hercules at the Crossroads
Pietro Aquila
ca. 1670–73
Title page of a series of nine plates, after the Assembly of the Gods ceiling fresco (1624-25) by Giovanni Lanfranco in the Villa Borghese, Rome
Pietro Aquila
ca. 1670–91
Plate 51: The baptism of Christ; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael
Pietro Aquila
1675
Plate 2: Andromeda bound to a rock; Perseus flying above on Pegasus, holding the Gorgon's head; from the Galeriae Farnesianae Icones
Pietro Aquila
ca. 1674
Plate 49: The adoration of the shepherds; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael
Pietro Aquila
1675
Plate 45: Zadok anointing Solomon; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael
Pietro Aquila
1675
Two angels bearing a reliquary
Pietro Aquila
1670–1700
Plate 15: Six naked telamones divided by door-frames, each seen crouching inside of a niche; from the Galeriae Farnesianae Icones
Pietro Aquila
ca. 1674
Plate 9: Aurora abducting Cephalus; from the Galeriae Farnesianae Icones
Pietro Aquila
ca. 1674
Frontispiece: Dedication to Francesco Maria Phoebeo, Bishop of Tarsus; at center the personification of art painting a portrait of the patron, surrounded by classical gods; from the Galeriae Farnesianae Icones
Pietro Aquila
ca. 1674
Plate 48: Solomon building the Temple at Jerusalem; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael
Pietro Aquila
1675
The triumph of Bacchus; a procession of maenads and fauns led by Silenus, Bacchus in a chariot behind; after Pietro da Cortona
Pietro Aquila
1670–92
Stucco Work with Hercules on Funeral Pyre and Wrestling Serpent in Cradle
Pietro Aquila
ca. 1670–73
Sacrifice of Polyxena, after Pietro da Cortona
Pietro Aquila
ca. 1674–92
Frontispiece: Dedication to Francesco Maria Phoebeo, Bishop of Tarsus; at center the personification of art painting a portrait of the patron, surrounded by classical gods; from the Galeriae Farnesianae Icones
Pietro Aquila
ca. 1674
Plate 39: Joshua stopping the sun and the moon; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael
Pietro Aquila
1675
Frammenti di Ornati per li Giovani Principianti nel Disegno (Fragments of Ornament for the Young Students of Design)
Pio Panfili
1783